Cheli, who hails from my alma mater, the Manhattan School of Music, performs his Clementi with flair and distinction. The earliest piece is light on its feet and never forced. It reveals its modest charms with delicacy, precision, and light use of pedal. The slow movement proceeds directly with little pause, yet somehow it feels appropriate. The emotional temperature barely rises before Clementi dashes forth with his spirited finale, at last rising but a little in volume and showing just a bit of gaudiness.
The Allegro and Finale in E-flat (WoO 22- 23) is a considerable advance in harmonic interest, and the brief fragment of a Finale makes us wish we had more.
Keith Anderson’s notes are excellent if minuscule in print, the sound is very good, and Cheli does Clementi proud.